![]() Collings makes these infrequently, so good to snap it up if you are looking. This is actually a righthanded uke, but no conversion required to make it a lefty. ![]() You owe it to yourself to try one.Here’s a Collings UT3 tenor ukulele in some beautiful birdseye maple, with a spruce top. Some of these include artists Keith Richards, Lyle Lovett, Pete Townshend, Emmylou Harris, Andy Summers, David Crosby, Chris Hillman, Joni Mitchell, Don Felder, John Sebastian, Lou Reed, John Fogerty, Tim O'Brien, Pete Huttlinger, Kenny Smith, Brian May, Joan Baez, John Prine, Nigel Tufnel of Spinal Tap, and Steven Spielberg to name a few. Fast forward to present day where Collings craftsmanship is respected by professional and amateur musicians alike…anyone on the quest for quality. In 1989, he rented a 1000 square foot space and hired two helpers. His reputation for outstanding quality and meticulous attention to detail quickly spread. From there, he set up his own small shop in a wooden "one car" garage. Making it only as far as Austin, where he shared shops with fellow luthiers Tom Ellis and Mike Stevens. After a couple of years in Houston, several guitars and a few banjos later, he headed west to southern California. Spurred by a lack of interest in medical school, this move enabled him to combine lifelong interests in both guitars and tools into the challenge of stringed instrument building and repair. It would be my pleasure to talk to you about it.īill Collings moved from Ohio to Texas in the mid 1970’s. If you'd like to find out more about this item, just call or e-mail me. Here’s another great quote about ukulele playing: “We hold this truth to be self-evident - if every citizen spent a little bit of time playing the ukulele, the world would be a nicer place.” I think Collings says it perfectly on his website “We've concluded that there is simply no better way to escape the stresses of the world than by strumming a fine ukulele.” The tuners are wonderful to look at, geared for accuracy, and are perfect for the tension of ukulele strings, so tuning is very easy and accurate. And the tenor size allows your body to just fold around the instrument. Tones just ring out and there is excellent separation and beautiful articulation of chords. It is very easy to play, with a great action that is consistent all the way up the neck, just like all of Collings' set ups. With this instrument, fine guitar tone comes to the ukulele. This ukulele sounds especially beautiful when you play single note lines and let all the other strings resonate. It has great sustain and it’s balanced across all the strings. It has a warm, full tone that is responsive to different attacks (pick or fingers). The truth is, you just haven’t heard a ukulele until you have heard a Collings. With only four nylon strings in the hands of a maker like Bill Collings, the ukulele becomes a fine instrument that is capable of playing a wide range of music, from simple folk tunes to music with great complexity. It’s a small scale instrument that you can take anywhere with you. Then, with players like Jake Shimabukuro and others bringing virtuoso ukulele playing to a wider audience, it seems clear that most people now know the ukulele is most certainly not a toy. Like the UT1, this ukulele is so much fun to play! Until the last few years, most people still thought of the ukulele as more of a toy instrument. High Gloss nitro finish and a fancier headstock set this apart from its simpler adorned relative. CRAIG'S POVĬollings UT2 is an upgraded version of the UT1. With Honduran mahogany top, back and side wood, the beauty of its wood and enhanced appointments rivals its sonic complexity. The UT2 comes standard with the Collings trademark "haircut" peghead shape and ivoroid body binding with black/white purfling. The UT2 is Collings' 2-style mahogany tenor ukulele.
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